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All those that Nosan depicts in his paintings, such as the beautifully pictorial views of the birch forests and the slithering rivers; the scattered objects in villages, which can be water jugs, embroidered table cloths, bread or spinning wheels; the vibrantly lively orchestra of goats, cows, dogs and running hens are all colored with Nosan’s sincere and passionate love for his fatherland.
Now at the age of sixty, Cen is still actively developing as an artist, continually incorporating his ideas, philosophies, and experiences into the substructure of his painting. I am truly impressed by Cen’s relentless drive to perfect his art, which incidentally reminds me of a passage in Jean-Christophe—“Most men die at twenty or thirty; thereafter they are only reflections of themselves: for the rest of their lives they are aping themselves, repeating from day to day more and more mechanically and affectedly what they said and did and thought and loved when they were alive.” Cen refuses to rest on laurels and wallow in old achievements, rather, he is an artist who embraces the boldness of the present and the hope of the future.