李 丰 佳

Cen Long. Invisible Passages A Connection Between That Which Is and That Which Has Always Been – Artribune

2022年3月10日/by info

Cen Long. Invisible Passages A Connection Between That Which Is and That Which Has Always Been – Arte.it

2022年3月10日/by info

南臺灣引領藝術收藏年度趨勢，邁入十週年之台南藝博現場直擊

2022年3月10日/by k.lin

2022.3.10-2022.4.7｜Invisible Passages-A Connection Between That Which Is and That Which Has Always Been

2022年3月8日/by k.lin

Cen Long｜Invisible Passages: A Connection Between That Which Is and That Which Has Always Been

2022年3月1日/by k.lin

2021.12.17-2022.01.22｜ふゆのほし—Yasuko Hayashi Solo Exhibition

2021年12月15日/by k.lin

2021.12.3-2021.12.5｜Art Taichung

2021年12月3日/by k.lin

Art Collection Whirlwind, Highlights of 2021 Art Taichung

2021年12月3日/by k.lin

2021.11.06-11.27｜The River-Childhood Memory-Selected Works of Cen Long

2021年11月11日/by k.lin

ART TAIPEI 2021 Sales Statistics: Younger Collectors Become Main Consumer Force, Several Galleries Generate Sales Exceeding Ten Million in NTD

2021年10月25日/by k.lin

Robust and Simple: Perceptible Purity in Cen Long’s “Invisible Passages”

2021年10月23日/by k.lin

ART TAIPEI 2021凝聚臺灣藝術實力，預展首日第一手畫廊直擊

2021年10月21日/by k.lin