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	<title>essay-and-press-Yasuko Hayashi &#8211; 涵藝術</title>
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	<title>essay-and-press-Yasuko Hayashi &#8211; 涵藝術</title>
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		<title>Looking In – Paintings by Yasuko Hayashi: Gazing at the resonance between the inner self and the external environment amidst ambiguity and vagueness.</title>
		<link>https://hannart.cc/looking-in-paintings-by-yasuko-hayashi/</link>
				<pubDate>Wed, 04 Oct 2023 16:00:31 +0000</pubDate>
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				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
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				<description><![CDATA[<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/looking-in-paintings-by-yasuko-hayashi/">Looking In – Paintings by Yasuko Hayashi: Gazing at the resonance between the inner self and the external environment amidst ambiguity and vagueness.</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
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		<title>林靖子，和她再造的風景</title>
		<link>https://hannart.cc/53398/</link>
				<pubDate>Mon, 10 Oct 2022 16:00:09 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>

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				<description><![CDATA[<p>林靖子不斷地渴望捕捉大自然裡用眼睛看不到的、聲音聽不到的無形之物，並將其放在記憶深處不斷地回想。而最終淬煉出來的就是這些神奇地、夢幻地，令觀眾陶醉其中的一幕幕再造的風景。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/53398/">林靖子，和她再造的風景</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
]]></description>
									</item>
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		<title>南臺灣引領藝術收藏年度趨勢，邁入十週年之台南藝博現場直擊</title>
		<link>https://hannart.cc/28212/</link>
				<pubDate>Wed, 09 Mar 2022 16:00:49 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Cen Long]]></category>
		<category><![CDATA[essay-and-press-Natasha Perekhodenko]]></category>
		<category><![CDATA[essay-and-press-Roman Nogin]]></category>
		<category><![CDATA[essay-and-press-Safina Ksenia]]></category>
		<category><![CDATA[essay-and-press-Volodymyr Nosan]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>透過觀察參展畫廊的展出作品，可一覽2022年的收藏趨勢。本次展會展品的價格區間落在3萬至60萬，預估將有超過8成的新晉藏家參與並購買藝術品。而ARTouch編輯部也針對台南藝博三個不同樓層的亮點展間進行分享及推薦。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/28212/">南臺灣引領藝術收藏年度趨勢，邁入十週年之台南藝博現場直擊</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
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		<title>Art Collection Whirlwind, Highlights of 2021 Art Taichung</title>
		<link>https://hannart.cc/28236/</link>
				<pubDate>Thu, 02 Dec 2021 16:00:01 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Cen Long]]></category>
		<category><![CDATA[essay-and-press-Chiu Dou]]></category>
		<category><![CDATA[essay-and-press-Safina Ksenia]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>參與本屆ART TAICHUNG畫廊為74間畫廊，擁有77個展間，作品從平面繪畫到雕塑，共400位藝術家超過2500件作品參展，價格區間落在3萬至50萬區間，預估將有超過7成的年輕藏家參與並藏購藝術品，而ARTouch編輯部也針對展會不同樓層的亮點展間進行分享及推薦。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/28236/">Art Collection Whirlwind, Highlights of 2021 Art Taichung</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
]]></description>
									</item>
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		<title>ART TAIPEI 2021 Sales Statistics: Younger Collectors Become Main Consumer Force, Several Galleries Generate Sales Exceeding Ten Million in NTD</title>
		<link>https://hannart.cc/28227/</link>
				<pubDate>Sun, 24 Oct 2021 16:00:50 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Alberto]]></category>
		<category><![CDATA[essay-and-press-Cen Long]]></category>
		<category><![CDATA[essay-and-press-Chiu Dou]]></category>
		<category><![CDATA[essay-and-press-Safina Ksenia]]></category>
		<category><![CDATA[essay-and-press-Tibor]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>ART TAIPEI展會期間，現場自VIP首日就湧入大量參觀人潮，而今年參展的大多數畫廊也創下歷史最佳銷售成績。以下為《典藏ARTouch》在現場所統計的部分畫廊銷售情況。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/28227/">ART TAIPEI 2021 Sales Statistics: Younger Collectors Become Main Consumer Force, Several Galleries Generate Sales Exceeding Ten Million in NTD</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
]]></description>
									</item>
		<item>
		<title>ART TAIPEI 2021凝聚臺灣藝術實力，預展首日第一手畫廊直擊</title>
		<link>https://hannart.cc/28220/</link>
				<pubDate>Wed, 20 Oct 2021 16:00:30 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Alberto]]></category>
		<category><![CDATA[essay-and-press-Cen Long]]></category>
		<category><![CDATA[essay-and-press-Chiu Dou]]></category>
		<category><![CDATA[essay-and-press-Tibor]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>第28屆台北國際藝術博覽會（ART TAIPEI 2021）於2021年10月22日起，在台北世界貿易中心一館展開連續5天的藝術盛會。在如今趨緩的珍貴時機點開幕的ART TAIPEI 2021，由本刊編輯部精選重點畫廊內容第一手直擊。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/28220/">ART TAIPEI 2021凝聚臺灣藝術實力，預展首日第一手畫廊直擊</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
]]></description>
									</item>
		<item>
		<title>涵藝術以「三個主題式策展」探討美學感知上的永恆的靈光【2021 ART TAIPEI 專題】台北國際藝術博覽會</title>
		<link>https://hannart.cc/27888/</link>
				<pubDate>Mon, 04 Oct 2021 17:00:34 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Alberto]]></category>
		<category><![CDATA[essay-and-press-Cen Long]]></category>
		<category><![CDATA[essay-and-press-Chiu Dou]]></category>
		<category><![CDATA[essay-and-press-Tibor]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>For ART Taipei 2021, Hann Art Agency will curate the space around three independent themes to deliver an exciting visual experience to our clients.</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/27888/">涵藝術以「三個主題式策展」探討美學感知上的永恆的靈光【2021 ART TAIPEI 專題】台北國際藝術博覽會</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
]]></description>
									</item>
		<item>
		<title>從林靖子個展《嚮往之境》看涵藝術的經紀理念</title>
		<link>https://hannart.cc/2019-sep-artemperor/</link>
				<pubDate>Sun, 08 Sep 2019 16:00:43 +0000</pubDate>
		<dc:creator><![CDATA[info]]></dc:creator>
				<category><![CDATA[Essay and Press]]></category>
		<category><![CDATA[essay-and-press-Yasuko Hayashi]]></category>
		<category><![CDATA[Press]]></category>

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				<description><![CDATA[<p>藝術的推廣與分享，有著非常多樣的定位及模式。與經紀人的相互支援，對於藝術家的發展也有著關鍵性的影響。十年來低調卻持續發展的涵藝術Hann Art Agency Co.，由總監林暄涵帶領團隊，正走在一條有別於傳統畫廊的旅程上。</p>
<p>這篇文章 <a rel="nofollow" href="https://hannart.cc/2019-sep-artemperor/">從林靖子個展《嚮往之境》看涵藝術的經紀理念</a> 最早出現於 <a rel="nofollow" href="https://hannart.cc">涵藝術</a>。</p>
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