Press
Cen Long. Invisible Passages A Connection Between That Which Is and That Which Has Always Been – Artribune
/in Essay and Press, essay-and-press-Cen Long, Press /by infoCen Long. Invisible Passages A Connection Between That Which Is and That Which Has Always Been – Arte.it
/in Essay and Press, essay-and-press-Cen Long, Press /by info南臺灣引領藝術收藏年度趨勢,邁入十週年之台南藝博現場直擊
/in Essay and Press, essay-and-press-Cen Long, essay-and-press-Natasha Perekhodenko, essay-and-press-Roman Nogin, essay-and-press-Safina Ksenia, essay-and-press-Volodymyr Nosan, essay-and-press-Yasuko Hayashi, Press /by k.lin透過觀察參展畫廊的展出作品,可一覽2022年的收藏趨勢。本次展會展品的價格區間落在3萬至60萬,預估將有超過8成的新晉藏家參與並購買藝術品。而ARTouch編輯部也針對台南藝博三個不同樓層的亮點展間進行分享及推薦。
Art Collection Whirlwind, Highlights of 2021 Art Taichung
/in Essay and Press, essay-and-press-Cen Long, essay-and-press-Chiu Dou, essay-and-press-Safina Ksenia, essay-and-press-Yasuko Hayashi, Press /by k.lin參與本屆ART TAICHUNG畫廊為74間畫廊,擁有77個展間,作品從平面繪畫到雕塑,共400位藝術家超過2500件作品參展,價格區間落在3萬至50萬區間,預估將有超過7成的年輕藏家參與並藏購藝術品,而ARTouch編輯部也針對展會不同樓層的亮點展間進行分享及推薦。
ART TAIPEI 2021 Sales Statistics: Younger Collectors Become Main Consumer Force, Several Galleries Generate Sales Exceeding Ten Million in NTD
/in Essay and Press, essay-and-press-Alberto, essay-and-press-Cen Long, essay-and-press-Chiu Dou, essay-and-press-Safina Ksenia, essay-and-press-Tibor, essay-and-press-Yasuko Hayashi, Press /by k.linART TAIPEI展會期間,現場自VIP首日就湧入大量參觀人潮,而今年參展的大多數畫廊也創下歷史最佳銷售成績。以下為《典藏ARTouch》在現場所統計的部分畫廊銷售情況。
Robust and Simple: Perceptible Purity in Cen Long’s “Invisible Passages”
/in Essay and Press, essay-and-press-Cen Long, Press /by k.lin涵藝術於本屆台北國際藝術博覽會(ART TAIPEI 2021)規劃的展區「看不見的通道─岑龍與西洋藝術史的對話」,當中讓觀眾深受震撼的岑龍作品,在沉穩的深色空間中,彷彿更放大了畫面的震撼力。